• ...Daret and the paintings attributed to Robert Campin and van der Weyden are the main arguments to consider Rogier van der Weyden as a pupil of Campin.
  • Rogier van der Weyden (born 1399/1400 – died June 1464), also known as Rogier de la Pasture in French, was an Early Netherlandish artist active in...
  • It is generally accepted that this is Rogier van der Weyden (the French and Flemish forms of the name both meaning `Rogier of the Meadow'), although it is...
  • Karel van Mander wrote that the great artistic contribution of Rogier van der Weyden lies in his ideas, his composition and rendering of the soul's expression...
  • an institution as its main exhibit. When entering the smaller exhibition space, I was confronted with a short visual introduction to Rogier van der Weyden.
  • Rogier van der Weyden was one of the most significant and influential artists of the Flemish Northern Renaissance, along with Jan van Eyck and Robert...
  • The relationship among Robert Campin, Rogier van der Weyden and Jacques Daret is probably more of a collaborative nature, than that of a master and his pupils.
  • At the same time, the first mention of Rogier de Weyden places him as the official painter of Brussels. It is this fact that puts de la Pasture and van der Weyden as...
  • Fan account of Rogier van der Weyden, an Early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces and commissioned...
  • The Hôtel-Dieu in the town of Beaune in eastern France is the location of Rogier van der Weyden's altarpiece depicting the day of judgement for all of humanity.