• ^ a b c Trowbridge, Mark (2011). "Sin and Redemption in Late-Medieval Art and Theater: The Magdalen as Role Model in Hugo van der Goes's Vienna Diptych".
  • Diptych of The Fall of Man and The Redemption (Lamentation of Christ)’ was created in c.1480 by Hugo van der Goes in Northern Renaissance style.
  • Here’s how Rembrandt matched a third painting by Hugo van der Goes, the Vienna Diptych, to a section of his etching referred to as Death of the Virgin.
  • Hugo van der Goes, Diptych with the Fall of Man and Salvation, c. 1470-5. Original, Kunsthistorisches Museum Vienna. Visited in 2017-2020.
  • GOES, Hugo van der. (b. ca. 1440, Ghent, d. 1482, Bruxelles). ... The diptych is one the early works of Goes reflecting the influence of Jan van Eyck.
  • Hugo van der Goes was one of the most significant and original Flemish painters of the late 15th century. ... Vienna Diptych (1479).
  • Precious gems are one of the most seductive aspects of Hugo van der Goes’ quest for realism in his altarpiece commissioned by Tommaso Portinari.
  • The Fall of Man. Left panel of a diptych by Hugo van der Goes in the Kunsthistorisches museum in Vienna, Austria.
  • Vienna Diptych 1470. by Hugo van der Goes. (Museum: Kunsthistorisches Museum). ... A Benedictine Monk 1478. Hugo van der Goes. e-Card. Download.
  • 44) alongside the melodramatic The Madness of Hugo van der Goes (1872) painted by Émile Wauters, Alphonse’s nephew.