Eserleri
- The Elevation of the Cross (also called The Raising of the Cross) is the name of two paintings, a very large triptych in oil on panel and a much smaller oil on paper painting.
- 00:00Exploring Peter Paul Rubens' Altarpieces for the Cathedral of Our Lady in Antwerp00:55Discovering the Art and Life of Peter Paul Rubens with Pavla and Peter01:14The Elevation of the Cross: Exploring Rubens' Use of Light and Shadow01:56The Dynamic and Chaotic Scene of The Elevation of the Cross by Peter Paul Rubens02:26The Power of Movement and Color in Rubens' The Elevation of the Cross02:48The Descent from the Cross: A Masterpiece of Rubens' Use of Light and Shadow03:26The Weight of Grief: Exploring Rubens' The Descent from the Cross04:00The Descent from the Cross: Rubens' Masterful Use of Light and Shadow and Reflections of Religious and Political Tensions in Europe05:20Jokes and Humor: Adding Lightness to Rubens' Masterpieces05:45Mastering Baroque: The Iconic Altarpieces of Peter Paul Rubens for the Cathedral of Our Lady in Antwerp
- ‘The Raising of the Cross’ was created in 1621 by Peter Paul Rubens in Baroque style.
- Peter Paul Rubens. Mulay Ahmad. Elevation of the Cross. The Rape of the Daughters of Leucippus. The Presentation of the Portrait of Marie de’ Medici.
- In the wake of this profound schism….Peter Paul Rubens sought to persuade his spectators to return to the true faith through the sensuous beauty of his art.
- In this post, we're going to take a closer look at some of the most famous Peter Paul Rubens paintings, a very influential figure in art history!
- In size, composition, and iconography it is resplendent with the artistic ideals of the Counter-Reformation. Peter Paul Rubens, The Raising of the Cross, 1610.Bulunamadı: elevation
- triptych by Peter Paul Rubens in Cathedral of Our Lady, Antwerp (Museum: Cathedral of Our Lady). ... The Elevation of the Cross 1610. Peter Paul Rubens (NL).
- Turning, now, to the grandest and most sublime of Rubens’s specifically biblical art, his 1610-11 work The Elevation of the Cross, we are met with a...
- One where usually there was Madonna and the Child in the center, saints on either side, but Rubens wanted to paint one scene of the elevation of the cross.
