• With his art, writing, and exhibitions, Gaines uses a highly conceptual approach to think through universal ideas and issues that matter to him and to the viewer.
  • As Charles Gaines prepared for a show at Dia Beacon, we spoke to him about race in America and why museum deaccessioning is essential.
  • “Manifestos 4: The Dred and Harriet Scott Decision”: Composed by Charles Gaines. Arrangements by Charles Gaines and John Eagle.
  • Charles Gaines: Notes on Social Justice: Dey's All Put on De Blue (1880), 2013, 1 of a set of 4 sheets, ink on paper, 29 by 23 inches each; at Paula Cooper.
  • Charles Gaines Numbers and Trees: Central Park Series II: Tree #6, Fredrick,, 2016 Black and white photograph, acrylic on plexiglass 3 panels overall, (2)...
  • Alexandre Saden reviews the Charles Gaines exhibition at Hauser & Wirth Los Angeles (September 14, 2019 – January 5, 2020).
  • 1 Charles Gaines, “Shadows and Other Non-Metaphorical Analogies,” In the Shadow of Numbers: Charles Gaines, Selected Works from 1975–2012, ed.
  • Charles Gaines’ work never fails to impress and his recent exhibition, Southern Trees, at Hauser and Wirth in NYC, is no exception.
  • Great job on “The Comebacks”. Very balanced and fair account, well-written, and gripping! Congratulations. Charles Gaines, Author of Pumping Iron.
  • CHARLES GAINES: I had no idea that Thelma had regarded the influence of my work that way. So I was shocked. She had the whole place in tears, me included.