• Douglas Sirk - Wikipedia

    en.wikipedia.orgDouglas Sirk
    Still in Europe he worked on films in Switzerland and the Netherlands. On arrival in the United States, he soon changed his German birth name to Douglas Sirk.

  • Douglas Sirk | Director, Writer, Second Unit Director... - IMDb

    imdb.comname/nm0802862/
    Film director Douglas Sirk, whose reputation blossomed in the generation after his 1959 retirement from Hollywood filmmaking, was born Hans Detlef Sierck on...

  • Sirk, Douglas — Senses of Cinema

    sensesofcinema.comGreat Directors
    Douglas Sirk was one of the 20th century cinema’s great ironists. And perhaps the most distinctive characteristic of the films he made in Europe and America is the...

  • Douglas Sirk | Yu

    yaleunion.orgdouglas-sirk/
    Sunday, January 20, 2pm at Northwest Film Center. When Douglas Sirk got to Universal Pictures in the 1950s, directors could not do as they pleased.

  • Douglas Sirk - Ekşi Sözlük — Ekşi Sözlük

    eksisozluk.comdouglas-sirk--536169
    dougles sirk >>>fassbinder>>>ozon almodovar>>>>ozon almodovar>>>>özpetek douglas sirk>>>todd haynes.

  • Douglas Sirk - Director

    tvinsider.compeople/douglas-sirk/
    Best known for his Hollywood melodramas of the 1950s, Douglas Sirk first achieved success in post-WWI Germany, as a theater director.

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  • Douglas Sirk (Director) — Cinescope

    cine-scope.com2018/06/08/douglas-sirk/
    Douglas Sirk’s There’s Always Tomorrow opens with a ‘Welcome to Sunny California’ sign amid pouring rain.

  • Douglas Sirk

    listal.comdouglas-sirk
    Douglas Sirk - Douglas Sirk was a German film director best known for his work in Hollywood melodramas of the 1950s.

  • The 57Th Best Director of All-Time: Douglas Sirk

    thecinemaarchives.com2019/06/14/the-57th-best-…
    In 1968 in his famous book Sarris wrote “Time, if anything, will vindicate Douglas Sirk

  • GREAT DIRECTORS: DOUGLAS SIRK | by Diana Martinez

    medium.comfilm-streams-film-notes/all-that-…
    Douglas Sirk was not always considered a cinematic genius; he was barely considered competent as a storyteller by film critics of his time.