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Self-confidence - “my last teacher at school said you’ve got a good brain but you’ll never be a good dancer, so I owe Kenneth a lot","timestamp_unix":1096,"text2":"18:16 Noticed by Kenneth MacMillan. Self-confidence - “my last teacher at school said you’ve got a good brain but you’ll never be a good dancer, so I owe Kenneth a lot.”","thumb":null},{"timestamp":"19:48","text":"Summoned by Sylvie Guillem, the world’s most talked-about ballerina. Perfectionism and curtain corrections. Herman Shmerman - Jeremy Isaacs’ comment. “Being” sexy","timestamp_unix":1188,"text2":"19:48 Summoned by Sylvie Guillem, the world’s most talked-about ballerina. Perfectionism and curtain corrections. Herman Shmerman - Jeremy Isaacs’ comment. “Being” sexy. ","thumb":null},{"timestamp":"24:55","text":"How to judge when performance is working. “It’s an unspoken script you have with a dancer","timestamp_unix":1495,"text2":"24:55 How to judge when performance is working. “It’s an unspoken script you have with a dancer.”","thumb":null},{"timestamp":"27:30","text":"Sarah Wildor - partnership at home and on stage. First pairing in The Invitation. How he and Sarah discuss roles and perform together. “She brings out the best in her partner because she demands that","timestamp_unix":1650,"text2":"27:30 Sarah Wildor - partnership at home and on stage. First pairing in The Invitation. How he and Sarah discuss roles and perform together. “She brings out the best in her partner because she demands that.”","thumb":null},{"timestamp":"29:40","text":"Matthew Bourne. Creating the iconic Swan. Bourne comment. “Adam’s very manly and he had a mystery about him.” Arm-driven choreography - Nijinsky","timestamp_unix":1780,"text2":"29:40 Matthew Bourne. Creating the iconic Swan. Bourne comment. “Adam’s very manly and he had a mystery about him.” Arm-driven choreography - Nijinsky. ","thumb":null},{"timestamp":"33:40","text":"The “gay” overlay - “The Swan is asexual - it’s a creature, not a man.” New partnering angles","timestamp_unix":2020,"text2":"33:40 The “gay” overlay - “The Swan is asexual - it’s a creature, not a man.” New partnering angles.","thumb":null},{"timestamp":"35:23","text":"Becoming a legend. Success and fame. Sadler’s Wells, West End, Los Angeles, Broadway. \"Most eligible bachelor\". Being painted for National Portrait Gallery. Working double shifts - Bourne’s Swan Lake and Royal Ballet. Injury","timestamp_unix":2123,"text2":"35:23 Becoming a legend. Success and fame. Sadler’s Wells, West End, Los Angeles, Broadway. \"Most eligible bachelor\". Being painted for National Portrait Gallery. Working double shifts - Bourne’s Swan Lake and Royal Ballet. Injury.","thumb":null},{"timestamp":"39:49","text":"Male dancers breaking out at RB. Return to Royal Ballet for Cranko’s Onegin just after wife Sarah resigned. “It was a really awkward time. But we are able to separate our personal and professional lives.” Feeling constricted by Onegin's traditionalism - “I never went back to classical after that","timestamp_unix":2389,"text2":"39:49 Male dancers breaking out at RB. Return to Royal Ballet for Cranko’s Onegin just after wife Sarah resigned. “It was a really awkward time. But we are able to separate our personal and professional lives.” Feeling constricted by Onegin's traditionalism - “I never went back to classical after that.”","thumb":null},{"timestamp":"45:38","text":"The Bourne identity. Outsider in AMP. Feeling at home, then constricted again","timestamp_unix":2738,"text2":"45:38 The Bourne identity. Outsider in AMP. Feeling at home, then constricted again.","thumb":null},{"timestamp":"46:43","text":"The Cooper identity. Singing, dancing, choreographing, acting. Liaisons Dangereuses as conceiver, performer, choreographer and director. Guys and Dolls at Donmar Warehouse with Patrick Swayze, first non-dancing identity","timestamp_unix":2803,"text2":"46:43 The Cooper identity. Singing, dancing, choreographing, acting. Liaisons Dangereuses as conceiver, performer, choreographer and director. Guys and Dolls at Donmar Warehouse with Patrick Swayze, first non-dancing identity.","thumb":null},{"timestamp":"52:17","text":"Developing skills. Advice to students - take risks, don’t be afraid of being wrong","timestamp_unix":3137,"text2":"52:17 Developing skills. Advice to students - take risks, don’t be afraid of being wrong. ","thumb":null},{"timestamp":"53:42","text":"Brother Simon - Rambert Dance for 20 years. Bruce's Cruel Garden. Bourne’s Swan Lake. Dancing together","timestamp_unix":3222,"text2":"53:42 Brother Simon - Rambert Dance for 20 years. Bruce's Cruel Garden. Bourne’s Swan Lake. Dancing together.","thumb":null},{"timestamp":"55:27","text":"The importance of attitude - Leanne Benjamin comment. Attitude is the magic dust. Spurred on by teacher’s scepticism","timestamp_unix":3327,"text2":"55:27 The importance of attitude - Leanne Benjamin comment. Attitude is the magic dust. Spurred on by teacher’s scepticism. ","thumb":null},{"timestamp":"58:21","text":"Lockdown - freelancer vulnerability. Delivery driving. Keeping focus. Not worrying about legacy, not watching the Swan Lake DVD. Finding time for performing. Directing and choreographing opera and musicals in Germany. “I was only in the Royal Ballet for seven years and the list of things I’ve done since then is incredible. I’ve been lucky.” Being brave","timestamp_unix":3501,"text2":"58:21 Lockdown - freelancer vulnerability. Delivery driving. Keeping focus. Not worrying about legacy, not watching the Swan Lake DVD. Finding time for performing. Directing and choreographing opera and musicals in Germany. “I was only in the Royal Ballet for seven years and the list of things I’ve done since then is incredible. 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Introduction.","thumb":null},{"timestamp":"01:46","text":"Royal Ballet poster girl - the Ondine poster, Crystal Palace diving pool","timestamp_unix":106,"text2":"01:46 Royal Ballet poster girl - the Ondine poster, Crystal Palace diving pool.","thumb":null},{"timestamp":"04:18","text":"Childhood - Clara in Nutcracker - Royal Ballet School training - ambitions. “One thing I do have is I’m really conscientious","timestamp_unix":258,"text2":"04:18 Childhood - Clara in Nutcracker - Royal Ballet School training - ambitions. “One thing I do have is I’m really conscientious”","thumb":null},{"timestamp":"07:57","text":"Giants and mentors at the Royal Ballet - Sibley and Dowell - Dowell’s blue-eyed girl - “We have a similar sense of humour","timestamp_unix":477,"text2":"07:57 Giants and mentors at the Royal Ballet - Sibley and Dowell - Dowell’s blue-eyed girl - “We have a similar sense of humour.”","thumb":null},{"timestamp":"09:37","text":"Spotted by Kenneth MacMillan - Juliet - Princess Louise in Mayerling","timestamp_unix":577,"text2":"09:37 Spotted by Kenneth MacMillan - Juliet - Princess Louise in Mayerling.","thumb":null},{"timestamp":"12:10","text":"A ballerina’s ascent - chickens, squirrels, carrots and cygnets - “there were three Essex girls in our cygnets team","timestamp_unix":730,"text2":"12:10 A ballerina’s ascent - chickens, squirrels, carrots and cygnets - “there were three Essex girls in our cygnets team”.","thumb":null},{"timestamp":"13:57","text":"The corps de ballet - “that powerful force of 30-plus females, it’s quite awesome","timestamp_unix":837,"text2":"13:57 The corps de ballet - “that powerful force of 30-plus females, it’s quite awesome.” ","thumb":null},{"timestamp":"16:06","text":"Switching between corps and leading roles - managing self-doubt","timestamp_unix":966,"text2":"16:06 Switching between corps and leading roles - managing self-doubt.","thumb":null},{"timestamp":"17:53","text":"Heroines type 1: sweet young things - Giselle, Juliet, Chloe, Vera - dealing with innocence and powerlessness","timestamp_unix":1073,"text2":"17:53 Heroines type 1: sweet young things - Giselle, Juliet, Chloe, Vera - dealing with innocence and powerlessness.","thumb":null},{"timestamp":"22:43","text":"Film clip Wildor with Bruce Sansom in “Cherries” pas de deux from Ashton’s A Month in the Country","timestamp_unix":1363,"text2":"22:43-24:35 Film clip Wildor with Bruce Sansom in “Cherries” pas de deux from Ashton’s A Month in the Country.","thumb":null},{"timestamp":"25:54","text":"Heroines type 2: minxes - Titania and Manon - “my favourite role. She can’t help herself, and it’s so nice to visit the dark depths of her life","timestamp_unix":1554,"text2":"25:54 Heroines type 2: minxes - Titania and Manon - “my favourite role. She can’t help herself, and it’s so nice to visit the dark depths of her life”.","thumb":null},{"timestamp":"28:44","text":"Classical challenges","timestamp_unix":1724,"text2":"28:44 Classical challenges.","thumb":null},{"timestamp":"29:15","text":"Film clip Petipa’s The Sleeping Beauty, Fumi Kaneko as Fairy of the Woodland Glade (aka Miettes qui tombent)","timestamp_unix":1755,"text2":"29:15-30:30 Film clip Petipa’s The Sleeping Beauty, Fumi Kaneko as Fairy of the Woodland Glade (aka Miettes qui tombent).","thumb":null}],"isVertical":false,"hasTranscription":false,"reqid":"1725810409435694-7408515830029777562-balancer-l7leveler-kubr-yp-vla-122-BAL","dups":[{"nonStopSupported":true,"filmId":"14218099537798533145","duration":4111,"origin":"http://www.youtube.com/watch?v=UJCXQKNsOqQ","title":{"url":"https://twitter.yandex.com.tr/video/preview/14218099537798533145?how=tm&text=Interviews%2Bwith%2BBallet%2BLegends","text":"Dance \u0007[Legend\u0007] Sarah Wildor at the Vyne 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of training at RSB - hard-headedness, stagecraft, \"it's a job\" - Russian model","timestamp_unix":372,"text2":"06:12 eclecticism of training at RSB - hard-headedness, stagecraft, \"it's a job\" - Russian model.","thumb":null},{"timestamp":"08:08","text":"Visits to Soviet Union for training - after Baryshnikov's defection, before Soloviev's suicide","timestamp_unix":488,"text2":"08:08 Visits to Soviet Union for training - after Baryshnikov's defection, before Soloviev's suicide.","thumb":null},{"timestamp":"10:40","text":"Leaving Sweden for London Festival Ballet - Anton Dolin - Beryl Grey: \"we worked really hard, it was exciting\"","timestamp_unix":640,"text2":"10:40 Leaving Sweden for London Festival Ballet - Anton Dolin - Beryl Grey: \"we worked really hard, it was exciting\"","thumb":null},{"timestamp":"13:55","text":"Rudolf Nureyev and Matz: \"He was part of my dancing life.\"","timestamp_unix":835,"text2":"13:55 Rudolf Nureyev and Matz: \"He was part of my dancing life.\"","thumb":null},{"timestamp":"15:50","text":"Festival Ballet roles - Ashton - Cranko - MacMillan: \"Ballerinas were shorter in London\"","timestamp_unix":950,"text2":"15:50 Festival Ballet roles - Ashton - Cranko - MacMillan: \"Ballerinas were shorter in London\"","thumb":null},{"timestamp":"16:55","text":"To Netherlands Dance Theatre, Jiri Kylian: \"I'd concluded the English dance world was quite insular.\"","timestamp_unix":1015,"text2":"16:55 To Netherlands Dance Theatre, Jiri Kylian: \"I'd concluded the English dance world was quite insular.\"","thumb":null},{"timestamp":"19:13","text":"Return to ENB under Peter Schaufuss: \"ambitious for himself, ambitious for us, very successful years\", signature roles in Bruce and Tetley ballets, new rep, Bruce's Swansong","timestamp_unix":1153,"text2":"19:13 Return to ENB under Peter Schaufuss: \"ambitious for himself, ambitious for us, very successful years\", signature roles in Bruce and Tetley ballets, new rep, Bruce's Swansong. ","thumb":null},{"timestamp":"21:40","text":"film clip of Swansong","timestamp_unix":1300,"text2":"21:40 film clip of Swansong","thumb":null},{"timestamp":"26:12","text":"Schaufuss turbulence - Skoog's interest in direction - \"it was very authoritarian\", \"I felt it could probably be done better\"","timestamp_unix":1572,"text2":"26:12 Schaufuss turbulence - Skoog's interest in direction - \"it was very authoritarian\", \"I felt it could probably be done better\".","thumb":null},{"timestamp":"27:39","text":"First leadership job - Royal New Zealand Ballet -survival struggle - \"They were ready to experiment.\"","timestamp_unix":1659,"text2":"27:39 First leadership job - Royal New Zealand Ballet -survival struggle - \"They were ready to experiment.\" ","thumb":null},{"timestamp":"29:35","text":"Application for ENB directorship: \"It was the lion's den from day one.\" Arrival on day of 9/11 - \"devastating for the box office\". Millennial debates about British ballet future - Royal Ballet directorship turbulence","timestamp_unix":1775,"text2":"29:35 Application for ENB directorship: \"It was the lion's den from day one.\" Arrival on day of 9/11 - \"devastating for the box office\". Millennial debates about British ballet future - Royal Ballet directorship turbulence. ","thumb":null},{"timestamp":"31:34","text":"ENB directions - populism v \"arty-farty\". \"Derek Deane and I were cast as adversaries, but we weren't.\"","timestamp_unix":1894,"text2":"31:34 ENB directions - populism v \"arty-farty\". \"Derek Deane and I were cast as adversaries, but we weren't.\" ","thumb":null},{"timestamp":"34:32","text":"Gerald Scarfe's irreverent, cartoon Nutcracker. \"A lot of people thought it was inappropriate for ENB but it turned out commercially very successful.\"","timestamp_unix":2072,"text2":"34:32 Gerald Scarfe's irreverent, cartoon Nutcracker. \"A lot of people thought it was inappropriate for ENB but it turned out commercially very successful.\"","thumb":null},{"timestamp":"38:38","text":"Mounting losses, threat to ENB's existence: \"It really was that close to closing down\". Arts Council huge recovery plan","timestamp_unix":2318,"text2":"38:38 Mounting losses, threat to ENB's existence: \"It really was that close to closing down\". 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I’ve been lucky.” Being brave.","thumb":null}],"source":"desc","linkTemplate":"/video/preview/8420767111476695?channelId=d3d3LnlvdXR1YmUuY29tO1VDTDIzN1NoOGNPYnhTM0JfQ3JZenpPQQ%3D%3D&how=tm&text=Interviews+with+Ballet+Legends&source=keypoint&t=%%timestamp%%"},"keypointsCount":"21 parça","target":"_self","position":"1","reqid":"1725810409435694-7408515830029777562-balancer-l7leveler-kubr-yp-vla-122-BAL","isAdultDoc":false,"cwidth":1920,"cheight":1080,"cratio":1.77777,"dups":["8420767111476695"]},"14218099537798533145":{"videoId":"14218099537798533145","docid":"33-2-13-ZE4421BB4293BB2EA","preview":{"posterSrc":"//avatars.mds.yandex.net/get-vthumb/4303409/27226b6edfee251c807bf3ec99bd3ebe/564x318_1"},"keypoints":{"items":[{"timestamp":"00:00","text":"Introduction","timestamp_unix":0,"text2":"00:00 Introduction.","thumb":null},{"timestamp":"01:46","text":"Royal Ballet poster girl - the Ondine poster, Crystal Palace diving pool","timestamp_unix":106,"text2":"01:46 Royal Ballet poster girl - the Ondine poster, Crystal Palace diving pool.","thumb":null},{"timestamp":"04:18","text":"Childhood - Clara in Nutcracker - Royal Ballet School training - ambitions. “One thing I do have is I’m really conscientious","timestamp_unix":258,"text2":"04:18 Childhood - Clara in Nutcracker - Royal Ballet School training - ambitions. “One thing I do have is I’m really conscientious”","thumb":null},{"timestamp":"07:57","text":"Giants and mentors at the Royal Ballet - Sibley and Dowell - Dowell’s blue-eyed girl - “We have a similar sense of humour","timestamp_unix":477,"text2":"07:57 Giants and mentors at the Royal Ballet - Sibley and Dowell - Dowell’s blue-eyed girl - “We have a similar sense of humour.”","thumb":null},{"timestamp":"09:37","text":"Spotted by Kenneth MacMillan - Juliet - Princess Louise in Mayerling","timestamp_unix":577,"text2":"09:37 Spotted by Kenneth MacMillan - Juliet - Princess Louise in Mayerling.","thumb":null},{"timestamp":"12:10","text":"A ballerina’s ascent - chickens, squirrels, carrots and cygnets - “there were three Essex girls in our cygnets team","timestamp_unix":730,"text2":"12:10 A ballerina’s ascent - chickens, squirrels, carrots and cygnets - “there were three Essex girls in our cygnets team”.","thumb":null},{"timestamp":"13:57","text":"The corps de ballet - “that powerful force of 30-plus females, it’s quite awesome","timestamp_unix":837,"text2":"13:57 The corps de ballet - “that powerful force of 30-plus females, it’s quite awesome.” ","thumb":null},{"timestamp":"16:06","text":"Switching between corps and leading roles - managing self-doubt","timestamp_unix":966,"text2":"16:06 Switching between corps and leading roles - managing self-doubt.","thumb":null},{"timestamp":"17:53","text":"Heroines type 1: sweet young things - Giselle, Juliet, Chloe, Vera - dealing with innocence and powerlessness","timestamp_unix":1073,"text2":"17:53 Heroines type 1: sweet young things - Giselle, Juliet, Chloe, Vera - dealing with innocence and powerlessness.","thumb":null},{"timestamp":"22:43","text":"Film clip Wildor with Bruce Sansom in “Cherries” pas de deux from Ashton’s A Month in the Country","timestamp_unix":1363,"text2":"22:43-24:35 Film clip Wildor with Bruce Sansom in “Cherries” pas de deux from Ashton’s A Month in the Country.","thumb":null},{"timestamp":"25:54","text":"Heroines type 2: minxes - Titania and Manon - “my favourite role. 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She can’t help herself, and it’s so nice to visit the dark depths of her life”.","thumb":null},{"timestamp":"28:44","text":"Classical challenges","timestamp_unix":1724,"text2":"28:44 Classical challenges.","thumb":null},{"timestamp":"29:15","text":"Film clip Petipa’s The Sleeping Beauty, Fumi Kaneko as Fairy of the Woodland Glade (aka Miettes qui tombent)","timestamp_unix":1755,"text2":"29:15-30:30 Film clip Petipa’s The Sleeping Beauty, Fumi Kaneko as Fairy of the Woodland Glade (aka Miettes qui tombent).","thumb":null}],"source":"desc","linkTemplate":"/video/preview/14218099537798533145?channelId=d3d3LnlvdXR1YmUuY29tO1VDTDIzN1NoOGNPYnhTM0JfQ3JZenpPQQ%3D%3D&how=tm&text=Interviews+with+Ballet+Legends&source=keypoint&t=%%timestamp%%"},"keypointsCount":"13 parça","target":"_self","position":"2","reqid":"1725810409435694-7408515830029777562-balancer-l7leveler-kubr-yp-vla-122-BAL","isAdultDoc":false,"cwidth":1280,"cheight":720,"cratio":1.77777,"dups":["14218099537798533145"]},"13611258326774114691":{"videoId":"13611258326774114691","docid":"33-10-15-Z45169F2C95014331","preview":{"posterSrc":"//avatars.mds.yandex.net/get-vthumb/3412493/faf6c8e163aaee1845a25ea0bddbf213/564x318_1"},"keypoints":{"items":[{"timestamp":"06:12","text":"eclecticism of training at RSB - hard-headedness, stagecraft, \"it's a job\" - Russian model","timestamp_unix":372,"text2":"06:12 eclecticism of training at RSB - hard-headedness, stagecraft, \"it's a job\" - Russian model.","thumb":null},{"timestamp":"08:08","text":"Visits to Soviet Union for training - after Baryshnikov's defection, before Soloviev's suicide","timestamp_unix":488,"text2":"08:08 Visits to Soviet Union for training - after Baryshnikov's defection, before Soloviev's suicide.","thumb":null},{"timestamp":"10:40","text":"Leaving Sweden for London Festival Ballet - Anton Dolin - Beryl Grey: \"we worked really hard, it was exciting\"","timestamp_unix":640,"text2":"10:40 Leaving Sweden for London Festival Ballet - Anton Dolin - Beryl Grey: \"we worked really hard, it was exciting\"","thumb":null},{"timestamp":"13:55","text":"Rudolf Nureyev and Matz: \"He was part of my dancing life.\"","timestamp_unix":835,"text2":"13:55 Rudolf Nureyev and Matz: \"He was part of my dancing life.\"","thumb":null},{"timestamp":"15:50","text":"Festival Ballet roles - Ashton - Cranko - MacMillan: \"Ballerinas were shorter in London\"","timestamp_unix":950,"text2":"15:50 Festival Ballet roles - Ashton - Cranko - MacMillan: \"Ballerinas were shorter in London\"","thumb":null},{"timestamp":"16:55","text":"To Netherlands Dance Theatre, Jiri Kylian: \"I'd concluded the English dance world was quite insular.\"","timestamp_unix":1015,"text2":"16:55 To Netherlands Dance Theatre, Jiri Kylian: \"I'd concluded the English dance world was quite insular.\"","thumb":null},{"timestamp":"19:13","text":"Return to ENB under Peter Schaufuss: \"ambitious for himself, ambitious for us, very successful years\", signature roles in Bruce and Tetley ballets, new rep, Bruce's Swansong","timestamp_unix":1153,"text2":"19:13 Return to ENB under Peter Schaufuss: \"ambitious for himself, ambitious for us, very successful years\", signature roles in Bruce and Tetley ballets, new rep, Bruce's Swansong. ","thumb":null},{"timestamp":"21:40","text":"film clip of Swansong","timestamp_unix":1300,"text2":"21:40 film clip of Swansong","thumb":null},{"timestamp":"26:12","text":"Schaufuss turbulence - Skoog's interest in direction - \"it was very authoritarian\", \"I felt it could probably be done better\"","timestamp_unix":1572,"text2":"26:12 Schaufuss turbulence - Skoog's interest in direction - \"it was very authoritarian\", \"I felt it could probably be done better\".","thumb":null},{"timestamp":"27:39","text":"First leadership job - Royal New Zealand Ballet -survival struggle - \"They were ready to experiment.\"","timestamp_unix":1659,"text2":"27:39 First leadership job - Royal New Zealand Ballet -survival struggle - \"They were ready to experiment.\" ","thumb":null},{"timestamp":"29:35","text":"Application for ENB directorship: \"It was the lion's den from day one.\" Arrival on day of 9/11 - \"devastating for the box office\". Millennial debates about British ballet future - Royal Ballet directorship turbulence","timestamp_unix":1775,"text2":"29:35 Application for ENB directorship: \"It was the lion's den from day one.\" Arrival on day of 9/11 - \"devastating for the box office\". Millennial debates about British ballet future - Royal Ballet directorship turbulence. ","thumb":null},{"timestamp":"31:34","text":"ENB directions - populism v \"arty-farty\". \"Derek Deane and I were cast as adversaries, but we weren't.\"","timestamp_unix":1894,"text2":"31:34 ENB directions - populism v \"arty-farty\". \"Derek Deane and I were cast as adversaries, but we weren't.\" ","thumb":null},{"timestamp":"34:32","text":"Gerald Scarfe's irreverent, cartoon Nutcracker. \"A lot of people thought it was inappropriate for ENB but it turned out commercially very successful.\"","timestamp_unix":2072,"text2":"34:32 Gerald Scarfe's irreverent, cartoon Nutcracker. \"A lot of people thought it was inappropriate for ENB but it turned out commercially very successful.\"","thumb":null},{"timestamp":"38:38","text":"Mounting losses, threat to ENB's existence: \"It really was that close to closing down\". Arts Council huge recovery plan","timestamp_unix":2318,"text2":"38:38 Mounting losses, threat to ENB's existence: \"It really was that close to closing down\". Arts Council huge recovery plan. ","thumb":null},{"timestamp":"40:47","text":"\"I had to apologise to the Board for that statement to you.\"","timestamp_unix":2447,"text2":"40:47 \"I had to apologise to the Board for that statement to you.\"","thumb":null},{"timestamp":"41:26","text":"The place of classical ballet in a modern world. Dance training and outlook - attitude, not aptitude - looking for artistry in a young dancer","timestamp_unix":2486,"text2":"41:26 The place of classical ballet in a modern world. Dance training and outlook - attitude, not aptitude - looking for artistry in a young dancer.","thumb":null},{"timestamp":"42:20","text":"The appeal of the ENB trouper life to career dancers - corps de ballet strength - tough environment creates camaraderie","timestamp_unix":2540,"text2":"42:20 The appeal of the ENB trouper life to career dancers - corps de ballet strength - tough environment creates camaraderie","thumb":null},{"timestamp":"48:45","text":"\"Was your story at ENB a happy one?\" Disappointment. Life coaching grew out of directorship experience","timestamp_unix":2925,"text2":"48:45 \"Was your story at ENB a happy one?\" Disappointment. Life coaching grew out of directorship experience.","thumb":null},{"timestamp":"50:12","text":"Resilience and self-discipline in dancers leaving the stage. \"Take people out of a high-performance environment and it's hard for them to perform so well.\"","timestamp_unix":3012,"text2":"50:12 Resilience and self-discipline in dancers leaving the stage. \"Take people out of a high-performance environment and it's hard for them to perform so well.\"","thumb":null},{"timestamp":"53:55","text":"Making the magic happen - Lynn Seymour - \"You don't have to give up magic when you leave dance.\"","timestamp_unix":3235,"text2":"53:55 Making the magic happen - Lynn Seymour - \"You don't have to give up magic when you leave dance.\"","thumb":null}],"source":"desc","linkTemplate":"/video/preview/13611258326774114691?channelId=d3d3LnlvdXR1YmUuY29tO1VDTDIzN1NoOGNPYnhTM0JfQ3JZenpPQQ%3D%3D&how=tm&text=Interviews+with+Ballet+Legends&source=keypoint&t=%%timestamp%%"},"keypointsCount":"20 parça","target":"_self","position":"4","reqid":"1725810409435694-7408515830029777562-balancer-l7leveler-kubr-yp-vla-122-BAL","isAdultDoc":false,"cwidth":1280,"cheight":720,"cratio":1.77777,"dups":["13611258326774114691"]},"15643242726578786048":{"videoId":"15643242726578786048","docid":"33-9-14-ZC570DC04493A9704","preview":{"posterSrc":"//avatars.mds.yandex.net/get-vthumb/405071/9a000e8a7e5fe238a360834c9103e8da/564x318_1"},"keypoints":{"items":[{"timestamp":"00:00","text":"Start. Performing in the week of The Queen's death","timestamp_unix":0,"text2":"00:00 Start. Performing in the week of The Queen's death.","thumb":null},{"timestamp":"02:26","text":"Clip from Trocks documentary (\"What it takes to be a ballerina in drag\", prod Emma Fierberg, Insider 2018)","timestamp_unix":146,"text2":"02:26 Clip from Trocks documentary (\"What it takes to be a ballerina in drag\", prod Emma Fierberg, Insider 2018).","thumb":null},{"timestamp":"05:30","text":"Tory's start in dance in LA - classical - Broadway - the Trocks. Inspired by cable channels of classic Soviet ballet","timestamp_unix":330,"text2":"05:30 Tory's start in dance in LA - classical - Broadway - the Trocks. Inspired by cable channels of classic Soviet ballet.","thumb":null},{"timestamp":"10:40","text":"Clip of Pavlova in The Dying Swan (1925, from \"Classic Kirov Performances\" 1992)","timestamp_unix":640,"text2":"10:40 Clip of Pavlova in The Dying Swan (1925, from \"Classic Kirov Performances\" 1992)","thumb":null},{"timestamp":"13:46","text":"Clip of Geltzer and Tikhomirov, Moment Musicale (c1913, Bolshoi Theatre)","timestamp_unix":826,"text2":"13:46 Clip of Geltzer and Tikhomirov, Moment Musicale (c1913, Bolshoi Theatre) ","thumb":null},{"timestamp":"17:45","text":"Why men join the Trocks: \"We encourage free spirits.\"","timestamp_unix":1065,"text2":"17:45 Why men join the Trocks: \"We encourage free spirits.\"","thumb":null},{"timestamp":"22:06","text":"\"I went to the ballet. I wanted to see a tutu!\"","timestamp_unix":1326,"text2":"22:06 \"I went to the ballet. I wanted to see a tutu!\"","thumb":null},{"timestamp":"24:21","text":"Clip from Trocks documentary (Fierberg 2018)","timestamp_unix":1461,"text2":"24:21 Clip from Trocks documentary (Fierberg 2018)","thumb":null},{"timestamp":"26:42","text":"Different views of drag - Dame Edna - Charles Ludlam - kabuki","timestamp_unix":1602,"text2":"26:42 Different views of drag - Dame Edna - Charles Ludlam - kabuki.","thumb":null},{"timestamp":"30:40","text":"Directing comedy - originating Trocks' names","timestamp_unix":1840,"text2":"30:40 Directing comedy - originating Trocks' names.","thumb":null},{"timestamp":"33:55","text":"Clip of Roberto Lara rehearsing Esmeralda solo (2012, Roberto Lara’s YouTube)","timestamp_unix":2035,"text2":"33:55 Clip of Roberto Lara rehearsing Esmeralda solo (2012, Roberto Lara’s YouTube)","thumb":null}],"source":"desc","linkTemplate":"/video/preview/15643242726578786048?channelId=d3d3LnlvdXR1YmUuY29tO1VDTDIzN1NoOGNPYnhTM0JfQ3JZenpPQQ%3D%3D&how=tm&text=Interviews+with+Ballet+Legends&source=keypoint&t=%%timestamp%%"},"keypointsCount":"11 parça","target":"_self","position":"5","reqid":"1725810409435694-7408515830029777562-balancer-l7leveler-kubr-yp-vla-122-BAL","isAdultDoc":false,"cwidth":1280,"cheight":720,"cratio":1.77777,"dups":["15643242726578786048"]}},"dups":{"5114007293633602277":{"videoId":"5114007293633602277","title":"\u0007[Ballet\u0007] \u0007[Legend\u0007] Nina Ananiashvili","cleanTitle":"Ballet Legend Nina Ananiashvili","host":{"title":"YouTube","href":"http://www.youtube.com/watch?v=JPADIGzqrlU","playerUri":"\u003ciframe src=\"//www.youtube.com/embed/JPADIGzqrlU?enablejsapi=1&wmode=opaque\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"1\" allow=\"autoplay; fullscreen; accelerometer; gyroscope; picture-in-picture\" aria-label=\"Video\">\u003c/iframe>","playerId":"youtube","providerName":"youtube.com","sourceHost":"www.youtube.com","name":"youtube.com","secondPart":{"type":"CHANNEL","id":"d3d3LnlvdXR1YmUuY29tO1VDTDIzN1NoOGNPYnhTM0JfQ3JZenpPQQ==","name":"Interviews with Ballet Legends","isVerified":false,"url":"/video/search?channelId=d3d3LnlvdXR1YmUuY29tO1VDTDIzN1NoOGNPYnhTM0JfQ3JZenpPQQ%3D%3D&how=tm&text=Interviews+with+Ballet+Legends","origUrl":"http://www.youtube.com/@balletlegendsinterviewed","a11yText":"Interviews with Ballet Legends. 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